1798-1885.

He studied at the Royal Arts and was a painter of Italian genre scenes. One of Lear’s closest friends in Rome, his influence can be seen in Lear’s early oils (SL, 291).

2.xii.58, 3.xii.58, 22.xii.58, 23.xii.58, 24.xii.58, 26.xii.58, 27.xii.58, 3.i.59, 4.i.59, 6.i.59, 8.i.59, 10.i.59, 12.i.59, 13.i.59, 14.i.59, 24.i.59, 27.i.59, 28.i.59, 7.ii.59, 8.ii.59, 11.ii.59, 12.ii.59, 16.ii.59, 19.ii.59, 20.ii.59, 23.ii.59, 26.ii.59, 3.iii.59, 4.iii.59, 5.iii.59, 8.iii.59, 9.iii.59, 10.iii.59, 11.iii.59, 13.iii.59, 15.iii.59, 18.iii.59, 19.iii.59, 22.iii.59, 28.iii.59, 31.iii.59, 7.iv.59, 8.iv.59, 10.iv.59, 13.iv.59, 15.iv.59, 16.iv.59, 20.iv.59, 24.iv.59, 27.iv.59, 28.iv.59, 30.iv.59, 3.v.59, 4.v.59, 5.v.59, 6.v.59, 7.v.59, 9.v.59, 10.v.59, 11.v.59, 12.v.59, 13.v.59, 14.v.59, 10.vi.59, 9.viii.59, 10.viii.59, 18.ix.59, 10.x.59, 28.xii.59, 29.xii.59, 31.xii.59, 3.i.60, 4.i.60, 5.i.60, 9.i.60, 12.i.60, 13.i.60, 14.i.60, 15.i.60, 16.i.60, 19.i.60, 20.i.60, 22.i.60, 25.i.60, 26.i.60, 27.i.60, 30.i.60, 1.ii.60, 2.ii.60, 3.ii.60, 9.ii.60, 11.ii.60, 12.ii.60, 14.ii.60, 18.ii.60, 22.ii.60, 27.ii.60, 1.iii.60, 5.iii.60, 6.iii.60, 7.iii.60, 10.iii.60, 16.iii.60, 17.iii.60, 19.iii.60, 20.iii.60, 26.iii.60, 29.iii.60, 1.iv.60, 3.iv.60, 4.iv.60, 5.iv.60, 9.iv.60, 10.iv.60, 11.iv.60, 16.iv.60, 24.iv.60, 28.iv.60, 4.v.60, 8.v.60, 1.ix.60, 2.ix.60, 3.ix.60, 4.ix.60, 5.ix.60, 6.ix.60, 7.ix.60, 8.ix.60, 18.ix.60, 19.ix.60, 20.ix.60, 21.ix.60, 22.ix.60, 25.ix.60, 26.ix.60, 3.x.60, 15.x.60, 16.xi.60, 23.xi.60, 23.xii.60, 19.i.61, 25.ii.61, 1.vii.61.